Manuel Castells’ book Networks of Outrage and Hope is a “must-read” (for the purposes of most regular commenters on DT, probably more must-ready than the other great book I just read, Nassim Nicholas Taleb’s “The Black Swan”). I hope to do a proper review of both. For now, this –
In recent years, the fundamental change in the realm of communication has been the rise of what I have called mass self-communication – the use of the Internet and wireless networks as platforms of digital communication. It is mass communication because it processes messages from many to many, with the potential of reaching a multiplicity of receivers, and of connecting to endless networks that transmit digitized information around the neighbourhood or around the world. It is self-communication because the production of the message is autonomously decided by the sender, the designation of the receiver is self-directed and the retrieval of the messages from the networks of communication is self-selected. Mass self-communication is based on horizontal networks of interactive communication that, by and large, are difficult to control by governments or corporations. Furthermore, digital communication is multi-modal and allows constant reference to a global hypertext of information whose components can be remixed by the communicative actor according to specific projects of communication. Mass self-communication provides the technological platform for the construction of the autonomy of the social actor, be it individual or collective, vis-a-vis the institutions of society. This is why governments are afraid of the Internet, and this is why corporations have a love-hate relationship with it and are trying to extract profits while limiting its potential for freedom (for instance, by controlling file sharing or open source networks).
My hunch: doing “remix” of “global hypertext of information” holds significantly more leverage for rebooting democratic governance than has so far been employed by movements, in general.
re: whose components can be remixed by the communicative actor according to specific projects of communication.
re: allows constant reference to a global hypertext of information